By MIKE MEEHALL WOOD
THE CENTRAL conceit of Michael Winterbottom’s bizarre 2004 art film 9 Songs is that a couple intersperse watching indie bands with hardcore sex, which is shown in the film as nature intended.
By MIKE MEEHALL WOOD
THE CENTRAL conceit of Michael Winterbottom’s bizarre 2004 art film 9 Songs is that a couple intersperse watching indie bands with hardcore sex, which is shown in the film as nature intended.